Guitar lick pentatonic

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Tim Rossi A Cool Pentatonic Licks Lesson

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Five famous pure pentatonic licks

The first three beats of measure one demonstrates this technique well. The major pentatonic scale is a wonderful, simple way to add colour to your blues playing. Two direct stylistic descendants of B. This is exactly the same pentatonic lick played twice, the second time it is shifted down 3 semitones to create the major pentatonic sound. I highly encourage you read the description of the pentatonic lick and make sure you can understand and apply each pentatonic lick into different keys on the guitar. Topics David Wallimann. This course is designed to inspire and open your mind to all the great possibilities to this simplistic yet exciting scale. For example, compare the following. Let's move aside all those worn out applications of the Pentatonic scale and look deep into its possibilities. Bear in mind, these are not the main riffs but stand-out licks that appear in the songs. This requires ample use of held bends—striking a note on a lower string, bending it to a particular pitch, then holding that bend while notes on higher strings are sounded.

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Description: These types of passages feature simultaneous-sounding note pairs—interval shapes like 3rds, 4ths and 6ths—often played with hybrid picking. This is particularly true of blues, a style loosely based upon musical cliches that have survived generations. Licks are memorable musical phrases that can be strung together to create a solo, fill in behind a vocal phrase or simply spruce up the end of a tune. I'm merely inspired by their musical contributions and I chose to break down a few techniques that they demonstrate in their playing. If we compare and contrast these two scales, you will see the similarities clearly.. You have no notifications. Browse Recommendations. Stevie Ray is a high energy and soulful player who has his roots drenched in the blues. This lick is written in the key of G minor and it begins on an upbeat of beat 3. Please contact us to enroll in lessons today. What could you possibly gain from it. There is one area in the 5th measure where I briefly move out of position where I slide up from the 11th fret to the 13th fret on the 2nd string, but I immediately return to 10th position. Some ground-breaking electric blues stylists, namely B. King and Albert King—used such idiosyncratic phrasing and scale choices that guitar scholars named a pair of fingering patterns after them. Bear in mind, these are not the main riffs but stand-out licks that appear in the songs.
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